李叔同的前半生，历尽繁华，又尝尽疾苦。
经历了爱而不得，求而不能，失而不甘，放而不舍，他终于看破红尘。
李叔同的后半生，明心见性，成为弘一法师。
In the first half of his life, Li Shutong experienced both prosperity and suffering.
After experiencing not own of loving and seekin, he finally letting and saw through the world.
In the second half of his life, Li Shutong saw his nature and became a master of Hongyi.
苏轼《水调歌头》有言：“人有悲欢离合，月有阴晴圆缺，此事古难全。”
世上所有的关系，所有的情谊，全由缘分决定。
有的人能陪你一辈子，有的人只能陪你一阵子。
缘到则聚，缘尽则散。
把一切看淡，事事随缘，才能让心轻盈。
Su Shi said: "people have sorrow and joy, the moon has Yin and Qing circle, this ancient difficult to complete."
All the relationships in the world, all the friendship, are determined by fate.
Some people can accompany you for a lifetime, some people can only accompany you for a while.
The edge to gather, the edge is dispersed.
To see everything light, everything with the fate, can make the heart light.
《菜根谭》里写道：“势利纷华，不近者为洁，近之而不染者尤洁。”
不接近名与利的人，清洁；接近名与利却不受污染的人，则是高洁。
弘一法师正是如此，看遍了繁华，选择了简单。
"Cai Gen Tan" wrote: "In vanity fair, those who take the initiative to stay away from it are noble, and those who are in it but are not polluted are especially noble."
Those who are not close to fame and fortune are clean; He who is close to fame and fortune but not polluted is noble.
Master Hongyi is just like this, having seen all the prosperity, he chose simple.
《菜根谭》一函三册 阐述出世悟道的人生哲理←点击了解
弘一法师晚年潜心佛法，坚持手书经文，即使在病中也不曾懈怠。
其字体修长，结字寒简，气质朴拙，主要以中锋圆笔为用，线条甚有灵动之美，
将儒家的谦恭、道家的自然、释家的静穆蕴涵书艺之中。
In his later years, Master Hongyi devoted himself to the Dharma and insisted on writing scriptures by hand, even when he was ill.
Its font is slender, the conclusion is cold and simple, the temperament is simple, mainly to use the center round pen, the line is very clever beauty, the humility of Confucianism, the nature of Taoism, the quiet of Buddhism contained in the writing art.
《弘一法师手书金刚般若波罗蜜经》←点击了解
弘一法师圆寂时有件小事令人深思。他嘱咐弟子在火化遗体之后，
在骨灰坛的架子下面放一钵清水，以免将路过的虫蚁烫死。
时时惦记勿伤世上的生灵，这份心思的细腻，
非真正的大慈大悲者不能有，真真令世人闻之生敬！
